Through the Looking Glass: Ideology and the Family in the Photographs of Clementina, Lady Hawarden, 18598-1865

Althusser, Louis. For Marx. Trans. Ben Brewster. London: Verso, 1979.

---. “Ideology and the Ideological state Apparatus." Lenin and Philosophy and Other Essays. Trans. Ben Brewster. New York and London: Monthly Review P, 197 l. 127 -186.

Armstrong, Nancy. Fiction in the Age of Photography: The Legacy of British Realism. Cambridge, Mass.: Harvard UP, 1999.

Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill and Wang, 1981.

Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge, Mass.: MIT P, 1997.

Benjamin, Walter. “A Short History of Photography." Classic Essays on Photography. Ed. Alan Trachtenberg. New Haven, Connecticut: Leete's Island Books, 1980. 199-216.

---. “The Work of Art in the Age of Mechanical Reproduction." Illuminations. Trans. Harry Zohn. Glasgow: Fontana/Collins, 1973. 219-253.

Berger, John. "Understanding a Photograph." Classic Essays on Photogtaphy. Ed. Alan Trachtenberg. New Haven, Connecticut: Leete's Island Books, 1980. 291-94.

Burgin, Victor. “Photographic Practice and Art Theory." Thinking Photography. Ed. Victor Burgin. London: Macmillan, 1982. 39-83.

---. “Looking at Photographs." Thinking Photography. Ed. Victor Burgin. London: Macmillan, 1982. 142-53.

Chapman, Alison. "Mary Elizabeth Coleridge, Literary Influence and Technologies of the Uncanny." Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century." New York: Palgrave, 2000. 109-128.

Dodier, Virginia. Lady Hawarden: Studies from Life, 1857-1864. New York: Aperture, 1999.

Freud, Sigmund. "The Uncanny." Art and Literature. Trans. James Strachey. Ed. Albert Dickson. Harmondsworth: Penguin, 1985. 14: 335-76.

Gilman, Sander L. Seeing the Insane. New York: John Wiley and Sons, 1982.

Hirsch, Marianne. Family Frames: Photography, Narrative, and Postmemory. Cambridge, Mass.: Harvard UP, 1997.

Jacobus, Mary. First Things: The Maternal Imaginary in Literature, Art and Psychoanalysis. New York/London: Routledge, 1995.

Mavor, Carol. Becoming: The Photographs of Clementina, Viscountess Hawarden. Durham and London: Duke, 1999'

Rejlander, O.J. “In Memoriam." British Journal of Photography. 12 (27 January 1865): 38

Rudisill, Richard. Mirror Image: The Influence of the Daguerreotype on American Society. Alburquerque: New Mexico Press, 1971.

Rugg, Linda. Picturing Ourselves: Photography and Autobiography. Chicago &

London: U of Chicago P,1997.

Sekula, Allan. "On the Invention of Photographic Meaning." Thinking Photography. Ed. Victor Burgin. London: Macmillan, 1982. 84-109.

Slater, Don. “Consuming Kodak." Family Snaps: The Meaning of Domestic Photography. Ed. Jo Spence and Patricia Holland. London: Virago, 1991. 49-59.

Sontag, Susan. On Photography. New York: Farrar, Straus, and Giroux, 1973.

Tagg, John. “The Currency of the Photograph." Thinking Photography. Ed. Victor Burgin. London: Macmillan, 1982. 110-141.

Warner, Marina. "Introduction." Lady Hawarden: Studies from Life, 1857-1864. By Virginia Dodier. New York: Aperture, 1999. 6-8.